It’s 2019 but the cosmetics and beauty industry still continues to use the female body and its imperfections in their quest to generate profit. This time, it’s none other than Kim Kardashian and her line of KKW Beauty Products, which has launched three new items. Set for release by the end of this month, Kim K has launched a new range of body makeup, including liquid body shimmer and a loose shimmer powder. In a tweet announcing the launch, she wrote “I use this when I want to enhance my skin tone or cover my psoriasis. I bruise easily and have veins and this has been my secret for over a decade.” She went on to post a video that demonstrated how the products help her cover her psoriasis scars.
Growing up, I had short hair or what was called ‘boy cut’ back then. I used to love wearing shirts and pants, instead of the frocks my relatives would gift me each birthday. On TV, I’d watch Sachin Tendulkar hitting sixes rather than play with dolls. Hence, I was termed a “tomboy”.
For a lot of us, gendered appearances, behaviours, and norms were defined at a young age. While shopping, for instance, there would be two sections in each toy shop: one for boys and one for girls. The former would have plastic guns, bats, balls and action figures. For girls, there’d be dolls, glittery miniature accessories and of course, kitchen sets. All of them wrapped up in shiny pink paper.
Like most Indians, I had grown up hearing about Tagore, reading “Where The Mind is Without Fear” in our textbooks but never really delving into the vast body of his literature. While I had memorized his name as the first Indian recipient of the Nobel Prize, I could not say the same about his stories.
On the other hand, disillusioned by the lack of innovative and progressive shows on mainstream Indian television, I too had turned towards bingeing on western shows. That’s when I discovered “Stories by Rabindranath Tagore” on Netflix. Directed by Anurag Basu and first aired on EPIC Channel, the show is based on stories written by Tagore a century ago. As I binge watched it, it shone through for its relevance and ideas far ahead of its time.
What struck me the most was the portrayal of the female characters- so different from what I had seen before. They couldn’t be fit into black or white categories of the “sanskari bahu” or the vamp, neither could they be understood using an upright moral compass. They rebelled, they questioned, they desired and most importantly, they challenged the status quo of the society they lived in without fearing the consequences.
The year started with a pleasant surprise for the LGBT community and support groups when a Bollywood movie centered around two queer women hit the theatres in February 2019. While no one can deny that Sonam Kapoor’s Ek Ladki Ko Dekha Toh Aisa Laga in itself was path-breaking cinema, the movie in its effort to sanitize the narrative to make it acceptable to Indian audiences lost the essence of lesbian love. It fails dismally to portray how two women who love each other behave in each others’ company. In the film, the two lovers are only seen exchanging a few hugs and some forehead pecks, in fact, they are called out for doing just that.