Sabyasachi has always objectified women. Why are we so surprised now?

Monthly Contributor at Moderne
After living in a concrete jungle for more than two decades of her life, Sabina found solitude as she moved to the greener side of the grass, pretty literally. Apart from enjoying all things literature, she loves to write on diverse issues, cook good food, and tend her teeny-tiny garden.

Sabina was raised as a feminist, believes the world needs a little more love and also some rationality to see an unbiased image of the society. She is a magnet to anxiety but her faith keeps her going. Oh, also, she is a proud Hijabi Muslimah and repels judgemental people.
Sabina Yeasmin

A gorgeous piece of fabric with meticulous handwork, a flawless archetype of Indian traditional wear. What’s the first thing that comes to your mind? It would probably be a saree or a lehenga. And if you have to instantly name a designer who represents this kind of artwork? Yes, that would be Sabyasachi Mukherjee. The ‘brand’ Sabya for most of us. 

But some of us who care to go deeper into matters and observe from various lenses, it’s just one aspect of this man. It’s his talent of creating these exquisite, dreamy tales of weddings and celebration and no one is taking that away from him. But talk about separating the art from the artist?  It is difficult, but can we at least acknowledge that there is something terribly wrong with Sabya and the ideas of femininity he promotes?

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